Products related to Tragedy:
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Love and Intrigue : A Bourgeois Tragedy
Schiller’s play Kabale und Liebe, usually translated into English as Love and Intrigue, represents the disastrous consequences that follow when social constraint, youthful passion, and ruthless scheming collide in a narrow setting. Written between 1782 and 1784, the play bears the marks of life at the court of the despotic Duke of Württemberg, from which Schiller had just fled, and of a fraught liaison he entered shortly after his flight. It tells the tale of a love affair that crosses the boundaries of class, between a fiery and rebellious young nobleman and the beautiful and dutiful daughter of a musician. Their affair becomes entangled in the competing purposes of malign and not-so-malign figures present at an obscure and sordid princely court somewhere in Germany. It all leads to a climactic murder–suicide.Love and Intrigue, the third of Schiller’s canonical plays (after The Robbers and Fiesco’s Conspiracy at Genoa), belongs to the genre of domestic tragedy, with a small cast and an action indoors. It takes place as the highly conventional world of the late eighteenth century stands poised to erupt, and these tensions pervade its setting and emerge in its action. This lively play brims with comedy and tragedy expressed in a colorful, highly colloquial, sometimes scandalous prose well captured in Flora Kimmich’s skilled and informed translation. An authoritative essay by Roger Paulin introduces the reader to the play.As with all books in the Open Book Classics series, this translation is supported by an introduction and notes that situate an old text in its period and help both the student and the general reader read it with ease and with pleasure.
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Newhaven Court : Love, Tragedy, Heroism and Intrigue
‘This is the house by Cromer town …’Built in 1884 as the grand summer home for the well-connected Locker-Lampson family, the red -brick, turreted mansion Newhaven Court once sat high on a windswept hill above Cromer.Before its dramatic destruction in flames nearly eighty years later, the house played host to such eminent figures as Sir Winston Churchill, Alfred Lord Tennyson, Sir Ernest Shackleton, illustrator Kate Greenaway and French tennis superstar Suzanne Lenglen. It was a home where poets rubbed shoulders with politicians and aristocracy with artists and authors.There was dance, dining and song – but also family tragedy and hidden love.Follow the true story of Newhaven Court and its colourful inhabitants from the decadent years of the late nineteenth century and the elegant Edwardian era, through the tragedy of the First World War and terrible conflict of the Second to the roaring twenties and the uncertain post-war age.
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Tragedy
First published in 1969, this work examines the genre of Tragedy from its origins in ancient Greece, to the modern day.Beginning with an overview of the meaning of tragedy in Europe through the ages, it goes on to explore common aspects of tragedies such as the tragic hero, the chorus and unities, catharsis, peripeteia, anagnorisis and suffering.This book will be of interest to anyone studying European drama and literature.
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The Storms : Adventure and Tragedy on Everest
In August 1979 twenty-seven-year-old Mike Trueman set sail from the south-west coast of Wales, en route to Cornwall.The young army helicopter pilot was helping to move his friend’s yacht from Northern Ireland to the south coast of England.But as they sailed out into the Irish Sea, the sky turned progressively darker and the winds gathered pace.Over the next twenty-four hours the two young sailors battled to survive force-10 gales in what became known as the Fastnet disaster and which claimed the lives of fifteen sailors off the coast of Ireland. Almost seventeen years later, Trueman was at Camp 2 at 6,400 metres on Mount Everest as the May 1996 tragedy unfolded high above him.As stricken guides, clients and Sherpas tried to survive the fierce storms which engulfed the upper mountain, Trueman was able to descend and – using his twenty-four years of experience as an officer in the British Army – coordinate the rescue effort from Base Camp. The Storms is the remarkable memoir of a British Army Gurkha officer.Trueman, a veteran of twenty expeditions to the Himalaya, gives a candid account of life inside expeditions to the highest mountain in the world.He gives a unique personal perspective on the 1996 Everest storm, as well as on the fateful day in May 1999 when Briton Mike Matthews disappeared high on the mountain after he and Trueman had summited.
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Why is "Intrigue and Love" considered a bourgeois tragedy?
"Intrigue and Love" is considered a bourgeois tragedy because it focuses on the lives and struggles of middle-class characters, rather than nobility or royalty. The play explores themes of love, social class, and power within the context of the bourgeoisie, making it relatable to a wider audience. Additionally, the characters in the play grapple with issues such as arranged marriages, social mobility, and the clash between personal desires and societal expectations, all of which are common concerns among the bourgeois class. Overall, "Intrigue and Love" reflects the values, conflicts, and experiences of the rising middle class during the time it was written.
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What are French tragedy and bourgeois tragedy?
French tragedy refers to a style of tragic drama that emerged in 17th century France, often associated with playwrights like Pierre Corneille and Jean Racine. These tragedies typically revolve around themes of love, honor, and fate, and are characterized by their strict adherence to the classical unities of time, place, and action. On the other hand, bourgeois tragedy is a genre that emerged in the 18th century, focusing on the lives and struggles of the middle class. Playwrights like Denis Diderot and Gotthold Ephraim Lessing are known for their contributions to this genre, which often explores the moral and social dilemmas faced by ordinary people. Unlike French tragedy, bourgeois tragedy often incorporates elements of realism and domestic settings, reflecting the concerns and experiences of the rising middle class.
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Is the Gretchen tragedy a bourgeois tragedy for literati?
The Gretchen tragedy, also known as Faust, is often considered a bourgeois tragedy because it focuses on the struggles and downfall of a common person, Gretchen, rather than a noble or royal figure. The story resonates with the literati, or educated middle class, as it explores themes of love, morality, and the human condition. The character of Gretchen represents the struggles and conflicts faced by ordinary people, making her story relatable to the literati. Additionally, the play critiques the societal norms and values of the bourgeois class, making it a relevant and thought-provoking tragedy for the literati.
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Is the GDR a tragedy?
The German Democratic Republic (GDR) can be seen as a tragedy in some aspects. The oppressive regime, lack of political freedom, and widespread surveillance under the rule of the Socialist Unity Party of Germany led to the suffering of many citizens. Additionally, the division of Germany and the lasting impact of the GDR's policies on its citizens and economy can be viewed as tragic. However, some may argue that the GDR also had positive aspects, such as its focus on social welfare and gender equality. Ultimately, whether the GDR is considered a tragedy depends on one's perspective and interpretation of its history.
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Shakespearean Tragedy
This ground-breaking book reveals the prophetic, revolutionary vision that drives Shakespeare’s tragedies, tracing its unbroken development from its beginnings in the Henry VI plays and Shakespeare’s first tragedy, Titus Andronicus, right through to his last, Coriolanus.The four full-length studies at the heart of the book focus in depth on Shakespeare’s four greatest tragedies: Hamlet, Othello, King Lear and Macbeth.Shakespearean Tragedy engages with each of these titanic masterpieces as a singular, complete work of dramatic art with its own distinctive concerns and critical challenges, but with the same unmistakably Shakespearean tragic vision at its core.Through compelling new readings of the plays, grounded in close analysis of their language and form, Kiernan Ryan shows how Shakespeare dramatizes the tragic realities of his world from the standpoint of the transfigured future that our world still awaits.
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Modern Tragedy
What distinguishes modern tragedy from other forms of drama?How does it relate to contemporary political and social conditions?To what ends have artists employed the tragic form in different locations during the 20th century?Partly motivated by the urgency of our current situation in an age of ecocidal crisis, Modern Tragedy encompasses a variety of drama from throughout the 20th century.James Moran begins this book with John Millington Synge’s Riders to the Sea (1904), which shows how environmental awareness might be expressed through tragic drama.Moran also looks at Brecht’s reworking of Synge’s drama in the 1937 play Señora Carrar’s Rifles, and situates Brecht's script in the light of the theatre practitioner’s broader ideas about tragedy.Brecht’s tragic thinking – informed by Hegel and Marx – is contrasted with the Schopenhauerian approach of Samuel Beckett.The volume goes on to examine theatre makers whose ideas were partly motivated by applying an understanding of the tragic narrative of Synge’s Riders to the Sea to postcolonial contexts.Looking at Derek Walcott’s The Sea at Dauphin (1954), and J.P.Clark’s The Goat (1961), Modern Tragedy explores how tragedy, a form that is often associated with regressive assumptions about hegemony, might be rethought, and how aspects of the tragic may coincide with the experiences and concerns of authors and audiences of colour.
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Tragedy & Geometry
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Rethinking Tragedy
This groundbreaking collection provokes a major reassessment of the significance of tragedy and the tragic in late modernity.A distinguished group of scholars and theorists extends the discussion of tragedy beyond its usual parameters to include film, popular culture, and contemporary politics.Seven new essays-as well as eight essays originally published in a New Literary History special issue on tragedy-address important, previously neglected areas of tragedy and postcolonial criticism.The new material explores the tragic dimensions of popular culture, the relationship between tragedy and pity, and feminism's avoidance of the tragic, and includes an incisive history of tragic theory. Classic and cutting-edge, this collection offers a provocative, accessible, and comprehensive treatment of tragedy and tragic theory. Contributors: Elisabeth Bronfen, University of Zurich; Stanley Corngold, Princeton University; Simon Critchley, University of Essex; Joshua Foa Dienstag, University of California, Los Angeles; Wai Chee Dimock, Yale University; Page duBois, University of California, San Diego; Terry Eagleton, University of Manchester; Rita Felski, University of Virginia; Simon Goldhill, Cambridge University; Heather K.Love, University of Pennsylvania; Michel Maffesoli, University of Paris (V); Martha C.Nussbaum, University of Chicago; Timothy J. Reiss, New York University; Kathleen M. Sands, University of Massachusetts, Boston; David Scott, Columbia University; George Steiner, University of Geneva; Olga Taxidou, University of Edinburgh
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Why is Macbeth a tragedy?
Macbeth is considered a tragedy because it follows the downfall of the main character, Macbeth, as he is consumed by his ambition and desire for power. The play explores themes of betrayal, guilt, and the consequences of unchecked ambition, leading to the tragic demise of Macbeth and those around him. The play also highlights the destructive nature of unchecked power and the moral decay that can result from it. Ultimately, Macbeth's tragic flaw and the choices he makes lead to his own downfall, making it a classic example of a Shakespearean tragedy.
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Is Corpus Delicti a tragedy?
Corpus Delicti is a novel by German author Juli Zeh that can be considered a tragedy in some ways. The story revolves around a dystopian society where individual freedoms are restricted in the name of public health. The protagonist's struggle against the oppressive system and the tragic consequences that unfold can be seen as elements of a tragedy. The novel also explores themes of loss, betrayal, and the struggle for justice, which are common in tragic literature. However, the novel also incorporates elements of mystery and legal thriller, making it a complex and multi-faceted work.
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What is Faust? A tragedy?
Faust is a tragic play written by Johann Wolfgang von Goethe. It tells the story of a scholar named Faust who makes a pact with the devil, Mephistopheles, in exchange for unlimited knowledge and worldly pleasures. The play explores themes of ambition, temptation, and the consequences of one's actions. It is considered a tragedy because it follows the downfall of Faust as he becomes increasingly dissatisfied with his life despite his newfound powers, ultimately leading to his tragic demise.
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What is a children's tragedy?
A children's tragedy is a literary work or dramatic performance that focuses on the suffering and misfortune of young characters. These tragedies often explore themes of loss, betrayal, and injustice, and may involve the death or suffering of children. The genre aims to evoke empathy and emotional response from the audience, while also addressing important social and moral issues related to the experiences of young people. Children's tragedies can be found in various forms of literature, including novels, plays, and films.
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